musically and emotionally, superpitcher’s third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus- years, emotionally. and full-length it is: the golden ravedays is an epic album of 24 longer than usual tracks that was released in january 2017 and is stretching over 12 respective chapter albums during a one-year period. the 11th edition of the golden ravedays album will be released on hippie dance in november 2017. side a brings brothers. with two decades of spinning experience in disco’s, nightclubs, festival arenas, shady after-party zones and intimate studio soirees there is no doubt that superpitcher is seasoned in throwing a damn good party. brothers is party personified and a celebration of the night and the wise owls that respect its magical rituals. its ultra-chic disco groove and dreamy female vocals transport one to a carnival of blessings. side b features sleepy head, a hypnotic lullaby carefully tucked away in a hammock that rocks to and fro like dozing mermaids in a wavy curtain of seaweed. sleepy head is a smart artistic statement and whimsical pause just before the release of the grand finale of the the golden ravedays saga.

asuntos internos is an ep dedicated to artists from spain, in this case 3 from barcelona (nlk, delusions & niet! and nehuen) and 1 from madrid (vvv). the first two songs, -overview- and -100 freeze-, have a obscure tones, and darkwave intensity. in -exorcism- delirious voices are planned on a magnetic basis while relatively ethereal, while -i do not know what i want- (jump it now mix) finally jumps into the dance floor with a purely techno ebm cut. asuntos internos es un ep dedicado a artistas del pais, en este caso 3 de barcelona (nlk, delusions & niet ! y nehuen) y 1 de madrid (vvv). las dos primeras canciones, -overview- y -100 freeze-, tienen un tono más post-punk: la primera recuerda a the cure y la segunda añade intensidad industrial. en -exorcismo- unas voces delirantes planean sobre una base magnética a la vez que relativamente etérea, mientras que -i don t know what i want (want it now mix)- salta finalmente a la pista de baile con un corte puramente techno ebm.

slow cooked meat, smooth cigarettes, hot baths, and fine wine.- jesse bru knows best. a stunner of an ep written during the early days of his arrival in berlin from vancouver, jesse debuts on rhombus with two tracks of beautiful house music on wax

london s midnight riot are back from the land of the rising sun with round two of the most obscure japanese boogie and disco jams. they have brought together the finest dj s and collectors for another installment of unique productions and edits. a must have for all the dj muro, joey negro and dj harvey fans out there, these guaranteed grooves are completely impossible to find in this day and age. highlights include shit hot soundsystem, who not only win award for best name of the year, but hammer out a wicked edit of the giorgio moroder influenced -kannushi-. label staples yam who? go with a lo-slung boogie funk excursion courtesy of their edit -mono drive-.

for its eighth release, aku welcomes pola manager of all inn records with two groovy cuts.

contact was established with thee j johanz after two full years of oblique telekinetic communication strategy and hiding cross stitched hieroglyphs depicting occult modes of interstellar travel in his “food waste only” bin. once we had captured his attentions, and several rounds of erotically intense negotiation later, johanz agreed to dig deep in his dat archives for unreleased, unheard and unassailable recordings from around the era of his seminal irdial discs ‘confidential’ sessions and allow us to put them into your earholes via the terrible step child that is our work for love label. three offerings from the golden era of british electronica are hereby presented and packaged with love for fans old and new. side a comes deeply carved with an alternative take of savanah from johanz’ confidential release while the b side holds a double dunt of unheard & relentless dance floor bangers unreleased #9 and choke me. all offerings are made with maximum respect for irdial

local manchester artists makomcr & metrodome reflect on the beginnings of south african house music in a dubbed-out, feel good two track ep.

if you want something done right, sometimes you just have to do it yourself. in a world filled with false gurus and misguided leaders, so goes the mantra of the new york duo walker & royce. after a swift rise in recent years during which time they pioneered a sound that is often imitated but never replicated sam walker and gavin royce have used this mantra as the impetus for their debut album self help, on their label home dirtybird. in order to grow, one often has to look inward, and the pair set out on a trail of self-discovery and advancement. their journey has resulted in a diverse album that evokes a range of emotion and fervor, one that can be appreciated both on the way to a club as well as feverishly dancing to it in one. walker & royces signature production is in exceptional form on their solo tracks, such as why tho, warkin it, best track ever and sunday. the way they contrast heavy, low-end bass and beats with pristine melodies arises from the first thing they ask themselves when they fire up their studio: will we play this? the pair has also continued to push the boundaries of their minted formula for a bigger purpose, enlisting several distinct vocalists and collaborators to captivating effect. the legendary green velvet lends his vocal talent to rub anotha dub, and longtime friend dances with white girls appear on two memorable tracks, including the hit single take me to your leader. other collaborators such as sophiegrophy, oncue, forrest and mr. jpatt each introduce their own individual elements to the album, rounding out the varied tones and feelings that comprise the self help masterpiece. the road to self-discovery is filled with many bumps and obstacles, but with self help, walker & royce have proven that theyve got the keys and in the driver’s seat

nice price deal !!! two tidy dubstep ?tributes? here with kanye west and brandy getting the treatment this time round!

dynamite cuts gives you a fully licensed release from chiaroscuro records for the first time these two tracks have been released onto 7” 45 vinyl. “funny girl” has been edited for a fresh new 45 cut. limited edition vinyl - 450 copies only!

a new label services deal with !k7 was announced this year that will see the relaunch of the two hundred & forty volts label and for the first time ever the entire swayzak back catalogue. to celebrate the re-launch and ultimately draw a line under the old material a 19 track retrospective will released shortly afterwards on dec 1. the lost tapes compilation will include some of their seminal classics, unreleased versions and a brand new single from swayzak & richard davis, all paving way for the new album next year.

3 tracks ep by eduardo de la calle, eclectic and deep journey with experimental and old school feelings. 100% eduardo s style , wich includes his more deep and jazzy style, finishing with a mental and techno feeling

crafted from solid and water-repellent 600d polyester with pvc backing layer 1 cm eva padding and integrated pvc walls for ultimate protection protective rubber corners internal size and divider allows two different storage ways two outer accessory pockets for headphones, needle-case and adapters inner measures: 18.8 x 38 x 20 cm weight: 1.56 kg

crafted from solid and water-repellent 600d polyester with pvc backing layer 1 cm eva padding and integrated pvc walls for ultimate protection protective rubber corners internal size and divider allows two different storage ways two outer accessory pockets for headphones, needle-case and adapters inner measures: 18.8 x 38 x 20 cm weight: 1.56 kg

smbd aka simbad is back with the second volume of his seasonal themed reworks on gamm. on side a we get a big dance floor bullet where mike lowrey & smbd fuse john coltrane with craig mack. trust us, this one works perfectly! on the flip smbd drops his disco shit with two full on 70s bangers

two 80s styled house/disco cuts.

scissor & thread ramp up the heat with the debut release by virginias deep house don, dj aakmael. known for his infectious grooves and deep and intricate instrumentation for more than two decades, this four track ep is in no short supply of teased out, peak time, classic deep house. the titular track wastes no time on the a-side with its hard hitting kick and springy bass holding court, while a hypnotic serpentine synth snakes along. the a2, what iz deep house, is a lesson for those who dont know what true deep house is. woozy, edgy chords take the spotlight as a dissociated voice slurs, what is deep house? a relentlessly thick kick, along with sharp as razors hi-hats and snaps, throttle the track into peak time territory. on the flip, sands is an aquatic affair, with its reverb laden pads and piano chord stabs submerging the floor in pelagic atmosphere. the persistent, euphoric bassline bump effortlessly slides its hooks into the listeners ears before a celestial piano melody pierces through the depths. frank & tony take things even deeper with their late night breakaway dub, applying their signature bass line touch and hi-hat shuffle in what may be their best remix to date.

after the last years widely appreciated 12? with two extraterrestial dancefloor cuts on jon rusts levels imprint and a handful of now hard-to-find 7? releases, the estonian musician ruutu poiss returns to his minimal funk and leftfield synth-pop roots releasing a debut ep on international major label. the six selected homerecordings from 2011-2016 reflect almost a chronological and caleidoscopic journey through the authors musical explorations, instrumental storytelling and unique sound design, imaginatively non-locking to specific genres. the ep starts with a massive stadium-hype pop groove that soon descends into an unsteady bassline of emotional undercurrents just to illustrate a clear shift from public to highly private and minute. there onwards its a search for a way out of the rabbit hole, a trip of curious naviagtion and personal reflection. from haunting vocals to vicious toms, celestial soundscapes over restless rubbery bass, shimmering synths over polyrhythmic strcutures an environment of romantic futurism and organic transformation appears, surrounded by a warm psychedelic sound pallette. previous releases played and supported by secretsundaze, benji b, james blake, mary-anne hobbs, call super, omar-s and many others.

alongside long-term dj partner harri, domenic cappello has been a sub club resident since 1994. he has released many records under many guises yet this is his first ep under his own name. 2017 also marks 30 years of sub club and it feels fitting for such two landmarks to dovetail as they have. the intruder ep is 3 brilliant tracks that come from a lifetime spent in music.

on the latest installment of his remix series, len faki tackles two compositions from aleksi perälä, both of which feature the finnish artist’s renowned musical tuning system, dubbed ‚the colundi sequence’. both edits build on the originals’ deeply hypnotizing synthesizer sequences while adding some extra punch and arrangement tweaks in order to turn them into proper dancefloor weapons. a straight-forward bleep affair, the hardspace mix of gbbvt1337152 underlines its simple yet utterly effective beauty. in contrast, uk74r1409047 is a moody and mystical ride under the night sky, whose enchanted vibe faki carefully retains. as with all releases of lf rmx, the proceeds of this record will be forwarded to the berlin organization straßenkinder e.v. to be used in actions against child poverty.

goings third effort is a joint release by silent water and meakusma. recorded in the span of one year in monthly recording sessions, it sees them venture off into an at times melismatic and contrasting contemplation on forward musical propulsion, 70s crossover jazz and minimalistic and at times downright futuristic electronic music. over the course of two spun out yet concentrated pieces, light and dark are built into a mesmerizing musical reverie that is equally as contemplative as it is explicitly emotional and confrontational. melodic as well as rhythmic accents diverge and coalesce with ease and poise, a subtle yet incessant throb defining everything throughout. record includes free download code + additional bonus track. running time side a - 24:43 / side b - 24:22 released in a gatefold cover.

this ep hosts 4 live versions of tracks from romare s sophomore album, love songs: part two, including come close to me (live session 1) a hazy, pulled-apart live edit of the single taken from his 2016 sophomore album love songs: part two.

mr. k returns to the 12inch format for the latest in his series of edits for most excellent unlimited, making the most of the long-playing wax with two contrasting cuts. first up is ike strongs boogie land, an obscure side that was originally released in 1981 and saw plenty of action at the paradise garage. krivit s edit is inspired by larry levan s technique in running the tune, focusing as larry did on the late-song breakdown before dropping into a stripped-down rendition of the undulating main groove, a boogie bomb to be sure! don t let the name fool you the enigmatic boogie man orchestra, stars of the flip side, are all about disco. the instrumental lady, lady, lady first appeared in dj sets in the summer of 75, the prime breakout year for disco, making its way from chicago all the way to clubs on both coasts despite having no national distribution. pre-dating the introduction of the 12-inch single, the song never saw release on the larger format, until now. krivit s edit takes advantage of the extended playing time by easing into the philly-style orchestral groove and letting it breath for a dramatic, building dancefloor moment.

following their debut ep release -one- earlier this year, french music act esss deliver an array of sounds in their latest ep naturally entitled -two-. electro down tempo 80 s synths meeting 70 s funk with modern dark techno builds. -two- is a melting pot combination of gesaffelstein and stranger things . the opening track (1) berlingot will no doubt take the dance floor by surprise as layered synths, kick drums and bass sounds descend into a new wave banger. (2) kickflip is a glitchy down tempo cut with dreamlike percussion with twisted retro synths. (3) nightlight is an ominous rolling cut that offers similar 80 s sounds but with added grooves and darker techno elements.three tracks on -two- offer retro and futuristic beats, enough to lose yourself into. get -two- after -one- by ess

we are proud to have aycb label head, boys noize artists and berlin techno legend housemeister on gnd housemeister delivered us a heavy two tracker with two fantastic remixes. epsilon is remixed, by ray kajioka. on the flip side we have a smashing remix from the stimulus boss and uk techno legend paul mac. in combination with these two excellent original tunes, we are proud to release this big record. played by ben sims, laurent garnier, marcel dettmann, efdemin, mark broom, marcel fengler, rolando, 2000 and one, paula temple, truncate, dan curtin, s-file, turbo turbo, progression (uk), mr. jones, johannes volk, arnaud le texier, dj hyperactive, thomas schumacher, dj pete, unbalance...

berghain infected weapons. two complex and subtle works of dark, considered techno are complimented by striking remixes from leiras nad stefan rein. vinyl only!

remastered reissue of boutz two recordings originally released on tape cassette. all titles composed, arranged, recorded live, engineered and produced by georges boutz at home studio, from july 1981 to april 1983 (amber 7) and between january & march 1984 (silver eagle). weird spacey synthesizer sounds.

as faithful guardians of the ciani musica inc. studio vault finders keepers records twist the key and return to their collaborative series of previously unreleased music from one of the most important and influential composers in the history of multi-disciplinary electronic music.

edition of 250 copies, risopgraph printed sleeve
staatsfeinde… dutch synth duo staatseinde finally releases their debut ep on vinyl… after two 7”s on enfant terrible they present this 6 track ep… stripped down through the years from a band to a duo the sound also changed… the songs on this ep are more up-tempo, louder, more beat orientated… and also darker as before mostly… and… for sure more dance floor minded… expect some classic minimal synth tunes in line with el aviador dro and welle: erdball for example but also more punchy tracks with ebm influences… staatseinde 2.0 has arrived!

astral dust is a 4 song excursion bridging the styles of derek michael and marshall applewhite. this project stems from a live recording of a set performed by michael in 2002. after being tucked away for almost 15 years, the recording was found and sent to applewhite who dissected the performance into fragments and breathed a new life into them. while some portions of this release are distinctly sludgy, the majority is a perfect amalgamation of both michaels and applewhites hard-edge, melodic borderline idm styles. the digital release will feature 2 digital only sub cuts from the sessions.

new york native caiazzo releases the devotion on his and p.leone s e-missions imprint featuring three dusky techno tracks and a remix from white material co-founder young male. much like p.leone, caiazzo s debut release (entitled the dredge ) landed on work them records, spencer parker s label that s featured names such as radio slave, rodhad, dj richard and ryan elliot. launching e-missions earlier this year, the pair continue their high quality output by following up two releases from p.leone with three uncompromising original cuts from caiazzo himself. rolling percussion drives 917 (sportmixxx) whilst intoxicating drones operate throughout, making way for lifeform with its layers of thick synthesised sounds that build on top of a relentless drum composition with subtle but effective transitions. godbody offers a stripped back approach to techno with an intricate percussive composition that allows a deep low-end and a hypnotic perc to take control. finally, white material label boss young male provides his take on godbody where bass hits combine with haunting atmospheres and warped rhythms, closing the release with style.

the fifth and final volume of random numbers split series is released. a split of the most experimental italian scene in 5 volume. to each artist is assigned a side of a c50 cassette, in which to let the music speak without compromises. volume 5 is entrusted to attilio novellino and collin mckelvey. the latest issue of the split series wants to be a bridge to future random numbers publications. in this case the two artists involved instead of dividing the two sides of the cassette decided to merge their productions into a collaboration. started in 2014, the collaboration between attilio novellino and collin mckelvey produced two albums: hypehunt and me&#768,,taphisiques cannibales. sons of the same approach, shared by similar sound sources and similar compositional techniques, the two works find in the different suggestions around which they are made, the specificity that allows them to grasp its essence, autonomous and complementary at the same time.

the 3rd lp in the series air afrique records presents is a journey which leads more to club-tracks. it starts with an uprising afro-track performed by the camroun rapper the tale (a.k.a. zeegee) in pidgin english. the last track of the a side is a tribute to the fast techno-like style funana which is very popular on cabo verde islands. the b-side is going straight into tropical bass and ends with an pure simple straight foreward electro-tech track.

that time has come around again… two new edits and a new mind behind them. a caledonian sonic assassin traversing the globe from lo stivale to the land of the rising sun… two sympathetic contortions for loved ears.

the power dancers return with their post album 4th installment. this psychedelic post punk inspired escapade sends out love lasers to all those we have loved and lost along the way, most notably the weird and wonderful adam goldstone. two brand new versions previously unavailable on the lp and a magical a capella that will set a mood for the mind ... powerdancers unite.

this is a re-release of the famous red sleeve fleetwood mac greatest hits album. this record was a stalwart of every decent album collection in the early 1970s as it represented the first greatest hits package from fleetwood mac, covering the period from the band’s beginning in 1968 through to 1971.
pressing on 180 gram audiophile vinyl, housed in a gatefold sleeve.

since making their debut on the imprint in 2013 with blue aconite, the italian duo hiver has since released two more eps on curle. kicking off the ep is elipse, a stunning four-minute track that nods to avant-garde artists such as wolfgang voigts gas alias or brian eno, as the pair gradually weaves several layers of shining, atmospheric tones before slowly fading into the background

one vinyl, two tracks, three artists. this is how the latest va from zimbru could be summed up.
on side a we have a driving mysterious groove amped up by the sexy bassline and the deep moody atmosphere. sahau&#700,,,,,,,,,,s track is immersed in an electro eclectism that is meant to be subtle and dynamic at the same time. this was recorded live and it&#700,,,,,,,,,,s pressed as it was.
side b is the dark side for sure. this time it&#700,,,,,,,,,,s only kozo and dan andrei (ak41) and their rendering is a hypnotic 12 minute long piece layered with a multitude of sounds ranging from the crickets and jungle birds to the more electronic bubbly and metallic tones. it&#700,,,,,,,,,,s named after paul who had already left the building when this was recorded.

2529km records is a new dub techno label created by two friends and artists – piotr bejnar aka n1kt (warsaw, pl) and leon lolishvili aka boyd schidt (tbilisi, ge). 2529 km stands for the distance between warsaw and tbilisi. the idea of the label to release compilations with artists from different countries and nationalities. through music the label wants to unite different cultures and to create a group of friends all over the world, who support themselves in music and life. the first release 2529km 001 is the compilation from idealist (switzerland) - producer, dj and label owner of idealistmusic, stojche ( macedonia) - berlin-based artist who s primarily inspired of the local electronic scene in skopje, boyd schidt (georgia) - one of the leading techno artists in georgia and n1kt (poland) – new techno alias from the owner of 2529 km and otake records.

following on from his massive feel it in my bones release (which gained support from the likes of moodymann, the black madonna, gilles peterson, sassy j, seven davis jr) and a killer remix for afrobeat legend dele sosimi north london producer books returns to xvi records with two storming edits, kicking off their new high praise series in fine style. in the groove hits the ground running, immediately throwing the listener into the middle of peak-hour, loft party hysteria, its soulful vocals swirling overhead whilst the driving, unrelenting rhythms create a sweaty, electrically charged delirium. on the flip, ‘passage of time takes a slightly more introspective approach, its shuffled hats and hazy keys giving way to majestic, uplifting horns guiding the way down a psychedelic black hole, its laid back groove providing a perfect soundtrack to the voyage, as planets spin by in the darkness.

the underdogg is the title of dj tre’s debut ep for hyperdub. he had two brilliant tracks featured on our dj rashad tribute compilation next life, but compared to other longterm members of the teklife footwork crew, he hasn’t released much, so we’re very happy to bring him out to play again here. tre has been about since the early days, born and raised on the south side of chicago. encouraged by the late dj rashad and his partner dj spinn, he has been making tracks since 1999, over a decade before footwork’s ascent to global popularity. on this ep his sound, for the most part is rooted in the speedy 4/4 of juke. it features a sparse and minimalist take on footwork but he’s got a knack of adding in tight little switches and details that keep the tracks moving as essential dance floor weapons.

classic reggae two track 7 inch vinyl

finnish legends and everything-but-grey eminences of electronic music, jimi tenor and freestyle man revive their dormant partnership on this four track ep for studio barnhus, jam-packed with classic drum machine funk, congenial synth lines and jimi’s unmistakable lead vocals and flute-playing. the sleepover ep is fuelled by the two maestros’ mutual love for new jersey house music and pyjama parties, as well as musical wisdom gained from numerous collaborations in the past, ranging back to some fabled mid-90s sähkö releases. live show booking now! artwork by robin ekemark.

following on from his intimate entry into the dj-kicks mix series, lone is putting out a vinyl only ep of all the unreleased tracks from it. the horizontal mix tapped into all of lones influences, from hip-hop to house, idm to techno. it also showcased some producers signed to his own magic wire label, and of course the back bone was built from some of the nottingham mans freshest new productions. they come after celebrated releases on werk discs, r&s and dekmantel, and include dance floor aligned eps and more rounded full lengths designed for close listening. here he sits in between the two across three thrilling cuts. opener ‘saturday night is a breezy bit of deep house with crisp boom-baps and swirling pads that lend it a dreamy, ethereal feel. spoken word snippets are stitched into the groove and the whole thing is as frictionless and feel good as house comes. next up, ‘arc is a little more direct, with scattered snares flapping over dry wooden kicks. its a punchy bit of house latest dj-kicks mix star kerri chandler would be proud, and comes overlaid with spring time flutes and luscious pads as a classically inclined bassline powers things along. last but not least is ‘alpha wheel 4 (ambient mix), a kaleidoscopic passage of suspensory sound scuffed up glassy surfaces trapping you in rays of refracted light from start to finish. all three tracks exhibit lones authentic, lived in and lo-fi aesthetic, and as a result slip perfectly into his ever more essential discography.

a new label services deal with !k7 was announced this year that will see the relaunch of the two hundred & forty volts label and for the first time ever the entire swayzak back catalogue. to celebrate the re-launch and ultimately draw a line under the old material a 19 track retrospective will released shortly afterwards on dec 1. the lost tapes compilation will include some of their seminal classics, unreleased versions and a brand new single from swayzak & richard davis, all paving way for the new album next year. the compilation will be released on vinyl over 3 consecutive eps

from portland’s burgeoning music scene comes a creative statement in the form of “tease”, the full length collaborative album by singer/songwriter blossom and producer hot16. meticulously thought out in every detail, “tease” shows the work of two sophisticated artists making their mark with an expertly written, performed, and produced lp that will undoubtedly find its way into your home and heart.
what started as a single guest feature quickly transformed into a full 8-song joint venture when it became instantly clear that the two artists brought out the best in each other. blossom’s poetic lyrics and emotive tones meld effortlessly around hot16’s unique production. strong, black, and imbued with magic, blossom shows depth & feeling in every note while hot16’s soulful tracks work as the perfect backdrops for her beautiful odes to identity, empowerment, love, and its accompanying heartache.
with a multitude of styles reflected on the album, each song can rightfully stand on its own. however, “tease” is best understood within the context of the whole, as genres are allowed to meld together and a its larger narrative unfolds.
take note, as the album is both a sonic world unto itself, as well as only a tease of what’s to come.
the vinyl release includes a download code.

backyard boogie present their first release from the new label coming out of amsterdam. the release comes from the friendship of charlie & jody and what they created together coming from two different musical backgrounds, now with their music crossing paths. they used a variety of analog machines and field recordings to help create the music. the release also sees a collaboration with a local amsterdam artist ardjoen mahangoe, who helped create the artwork for the release.

natasha kitty katt returns with a new, two-tracker 12inch for masterworks music. the multi-talented mistress of disco has been wreaking havoc on dance floors all over the place with her infectious sets at liverpool disco festival, the southport weekender and this year s suncebeat in tisno, croatia. not to mention having recently solidified her own imprint, ghetto disco records, she s also been flexing her talents in the studio with recent releases on hot digits, tribe uk and now, masterworks music. the disco vibrations ep comes with two sides of pure dancefloor heat with 24 hour sesh up to bat first. co-produced by krane, this high tempo burner features a relentless, pumping bass groove and loads of those quintessential disco-strings. jubilant vocal chops chant, screech and howl for the party to continue all night and day while filtered piano riffs keep the disco fires burning bright. flipping over we get after the dance, which offers a similar approach to it s a-side counterpart. taking on a deeper, sub bassline, things get even groovier once layers of sampled vibes and cosmic synths chirp and swoop all throughout the tracks six minute run time.

with this release a new label emerges under the name deep down. veebo delivers a smooth ep for the occasion. expect stripped down microhouse with spooky laughs and repetitive vocals. on the a side you’ll find essentially, a delicious 45 cut with a classic uk bass melody. on the b side it starts of with one two, a house driven, conductive tool. the ep ends of with ethereal, the title track that will take you on a modular journey with buttery pads and stripped down ultra deep bass lines. this label will continue to focus on the minimal groovin’ side of the genres of house and techno. expect more sounds from vivid antwerp soon.